FEB 1-3, 2024
In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband, Amos, to take the rap… until he finds out he’s been duped and turns on Roxie. Convicted and sent to death row, Roxie and another “Merry Murderess,” Velma Kelly, vie for the spotlight and the headlines, ultimately joining forces in search of the “American Dream”: fame, fortune, and acquittal.
Changes made for the Teen Edition
(1) Removal of adult language and overtly sexual references
(2) Removal of “Class” and “A Bit of Good”
(3) Transposed keys to better accommodate teen voices
HISTORY
Chicago first opened on Broadway at the 46th Street Theatre in New York City on June 3, 1975. The production, directed and choreographed by Bob Fosse, ran for 936 performances. On Nov 14, 1996, a revival of the show opened on Broadway at the Richard Rodgers Theatre. It later transferred to Shubert Theatre, and then to the Ambassador Theatre, where, more than two decades later, it continues to run, logging nearly 10,000 performances.
“Wildly entertaining… [with a] dazzling score.” – New York Daily News
“A pulse-racing revival that flies us right into musical heaven.” – The New York Times
“As dazzling a demonstration of the craft of musical theatre as you’re ever going to see on a Broadway stage.” – The New York Post
“A 19-year-old man has just stood trial for the fatal stabbing of his father. “He doesn’t stand a chance,” mutters the guard as the 12 jurors are taken into the bleak jury room. It looks like an open-and-shut case—until one of the jurors begins opening the others’ eyes to the facts. “This is a remarkable thing about democracy,” says the foreign-born juror, “that we are notified by mail to come down to this place—and decide on the guilt or innocence of a person; of a man or woman we have not known before. We have nothing to gain or lose by our verdict. We should not make it a personal thing.” But personal it is, with each juror revealing his or her own character as the various testimonies are re-examined, the murder is re-enacted and a new murder threat is born before their eyes! Tempers get short, arguments grow heated, and the jurors become 12 angry men. The jurors’ final verdict and how they reach it—in tense scenes that will electrify your audience and keep them on the edge of their seats—add up to a fine, mature piece of dramatic literature…”
September 6-7
Synopsis
A collection of monologues, duets, and short scenes taken from the standard repertoire of modern theatre productions.